The Psychodrome man
 
Welcome to the Psychodrome
Psychodrome is Robert Farrar's identity as a producer of live theatre. It is also his general website as a writer
 
 
Robert Farrar's biog/Contact me
Robert Farrar, from the Mystery Gilrs to The Man Who Knew Too Little to Psychodrome and Wild Fruit
 
 
Blog 2008
Trace the disturbing new trends in my personal development this year
 
 
Short story: Dust
 
 
Fairytale: The Secret Passion Of Squirrel Studkin
From the forthcoming, rather delayed book of fairytales for gay men and their friends
 
 
Films
Robert Farrar's work as screenwriter and film director
 
 
WILD FRUIT
Wild Fruit, a new comedy by Robert Farrar, directed by Phil Setren, was Psychodrome's last production, in June 2006
 
 
Short play: Donut
The full text of the fabulously fattening playlet
 
 
Blog 2007
 
 
Hot Tips 2007
 
 
Poem: Johnny Smith
 
 
Short short story: Strange Meeting
A mere whiff of a story
 
 
The Prince Who Lost His Penis and Other Stories
A new book of fairytales for gay men and their friends
 
 
Article: My grandfather Kenneth Horne, playwright
Robert Farrar writes about his grandfather Kenneth Horne, the West End playwright of the 30s, 40s and 50s
 
 
Music Review: Jay Spears - What's Not to Like?
Robert Farrar on homosexual pop star Jay Spears
 
 
The Mystery Girls, 1983-86
Robert Farrar's former life as lead singer of glam rock band The Mystery Girls
 
 
Playography
A list of Robert Farrar's plays, both produced and unproduced.
 
 
Novels
Robert Farrar's two published novels
 
 
Wild Fruit gallery
More images from the smash hit production of Wild Fruit at Oval House
 
 
Writing Wild Fruit
Robert Farrar writes about writing Wild Fruit; memories of Waterloo Street
 
 
Links
Links to Oval House Theatre and other sites
 
 
Some quotations
things to scrawl when you sign autographs
 
 
Vow of theatrical chastity
My own little Dogma
 
 
Script reading and mentoring
Let me help
 
 

Vow of theatrical chastity

Taking inspiration from those sometimes very annoying Danes who gave us Dogma, I am working on a little vow of theatrical chastity of my own. I don't mean I am vowing not to seduce the actors (chance would be a fine thing); I am referring to my work as playwright. So far I have come up with the following:


1. There must only be one location, preferably an interior. (Extra points to be awarded for setting your play in a seaside guesthouse or country hotel.)

2. Time must be linear. Past events may be reported but not enacted.

3. The average length of scenes must be at least five minutes. Extra points to be awarded for really fuck-off long scenes (unless they are dull). The grand prize will be awarded to any play achieving complete unity of time, ie, if the whole play is one enormous fuck-off scene that lasts two hours, and in where Act Two follows directly on from Act One with no time-lapse.

4. No character may address the audience at any point (unless the playwright's name is Tennessee Williams).

5. No projection of any images, moving, still or cyber, is permitted (same proviso as previous rule).

6. No character may sing unless as a legitimate part of the plot, and even then - it had better be good. Musical theatre is a separate genre that may be tolerated but never encouraged.

7. No character may speak in verse (unless the playwright died before the English Civil War).

* * *

To this solemn vow I put my name, R Farrar, aka Lorcan Wode, Lawrence S Dog and another name which I can't tell you about.

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